SHINING
Shining debuted as an acoustic jazz quartet in 2001, but it wasn’t long before they stunned their audience by going electric. Their album “Blackjazz”, released in 2010, combined free jazz with blackened industrial metal to create a brand new Frankenstein’s Monster that grabbed the world by its throat. Their album “Animal” was another surprise, churning out one monster rock hit after another. The single “Animal” alone has over 12 million streams on Spotify, and the album increased the band’s Monthly Listeners by tenfold.
In Shining’s latest track “US AGAINST THE WORLD,” Munkeby sings about marching to the beat of their own drum and revolving around their own sun. Failure isn’t an option, and the universe is upside down. It’s a declaration of rebellion against conformity and an invitation to join them in breaking down boundaries and shaking up tradition.
Shining’s new single proves that they have no intention of abandoning their rebellious nature. If you’re ready to challenge the status quo and fight against the norm, then Shining is the band for you. So turn up the volume and join Shining in their fight to stay rebels till the end!
ABOUT SHINING
Restless. Fearless. Eccentric. Subversive. Unpredictable. Revolutionary.
You might find him blowing fire through his sax with ex-Megadeth guitar icon Marty Friedman. You might find him playing mind-blowing sax solos with Danish big band Blood Sweat Drum ‘n’ Bass. You may spot him playing keyboards with legendary Norwegian black metal band Emperor. Or singing metal ballads supporting Metallica on arenas with Epica. From early days as composer and flautist with Norse electro-jazz ensemble Jaga Jazzist to his breakthrough as metal’s chief saxophone-wielding renegade, Jørgen Munkeby is a unique figure in modern music.
Prodigious, prolific and instinctively rebellious, Jørgen Munkeby is the unique creative force behind Norway’s legendary jazz-metal warriors Shining. Active in the amorphous musical underground since 1999, the band began life as an acoustic jazz ensemble before morphing, repeatedly and wilfully, into a wild variety of new shapes and sounds, always driven by their leader’s restless spirit. After releasing four albums of esoteric and enigmatic left-field jazz, Shining edged fully into the world of extreme metal for 2010’s epoch-shattering Blackjazz album. A cacophonous but irresistible blend of wonky riffs, shrieking sax and deeply progressive sonic ideas, it firmly established Munkeby’s crew as a major force in the metal world, while drawing in fans from all manner of obscure and perverse cultural enclaves.
Emboldened by the success of his most far-out experiment to date, Munkeby then grabbed Shining by the scruff of the neck and dragged his band into ever more unexpected areas, harnessing futuristic precision and bite for the streamlined and snotty One One One album in 2013 and then bringing the Blackjazz project to a deafening, explosive climax with 2015’s widely acclaimed International Blackjazz Society. Increasingly feted as an exhilarating live act, Shining’s steady but sneaky assimilation into the rock and metal mainstream was almost complete. And then, in 2018, with latest studio album Animal, Shining blew the doors off and reinvent themselves as the most insanely thrilling rock band on the planet.
The last years has seen Shining perform selected Blackjazz anniversary shows on big festivals around the world, including an explosive show of force in front of 15 000 Blackjazz fans at Hellfest in 2024. Rumor also has it that their new music, slated for release in 2025, will bring back both saxophone and their signature sinister Blackjazz sound! Hold on to your horns!